The H.M.A.M.A.S.’s most recent screening was actually John Wick Chapter 2, a film that received surprisingly positive reviews, many of which single out the impressive use of actual fine art in the art direction (not to mention the bizarrely Gilliamesque secret hitman telephone exchange!). Jonah Jameson sends his statuesque African-American data analyst to track Ben down, or else be exposed as the violent teenage vigilante she was! Antics ensue.

But the Treasury Department is onto him! J.

He knows kung fu and is a deadly marksman, because his dad was Special Forces. Ben Affleck is an autistic accountant who practices out of a strip-mall in suburban Illinois, but secretly jets around laundering money for drug cartels and terrorists. This précis, though based entirely on the impressive trailer that screened before Bourne, is in fact a pretty accurate summation of The Accountant’s conceptual underpinnings. The Society’s inaugural screening resulted in my report “Is Jason Bourne a 123-minute Psychotronic Blipvert for Hillary?” ( ), which ended with a pre-endorsement of The Accountant-“a film that finally addresses the question ‘What if Good Will Hunting was a chick and Jason Bourne banged her and they had an inbred baby that was all like Shine-meets- Transporter and turns out to be the other guy from Good Will Hunting? Whoa.’” The He-Man Action Movie Appreciation Society meets regularly to interrogate promising high-budget mainstream shoot-’em-ups in the context for which they were designed-big, loud movie theaters.

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